As a leader of the local community, Chairman Amin bans every kind of image in his water locked village in rural Bangladesh.
He even claims that imagination is sinful. But change is a desperate wind and the tension between tradition and modernity grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colourful and eccentric people in the village. In the end, television, which Chairman Amin hated so much, comes to his rescue and helps him reach a transcendental state where he and his God are unified.
Click the image link below to watch Anisul Hoque and Nusrat Imrose Tisha’s backstage interview after accepting the 2013 Jury Grand Prize for Television.